Showing posts with label popular culture. Show all posts
Showing posts with label popular culture. Show all posts

Friday, December 02, 2011

From My Email: Pop Culture, and a Discovery about AKB 48 (What Else?)

A couple of people and I got to talking about W. David Marx and Cool Japan, which got me to thinking about Japanese pop culture. The following is the relevant part of an email, uncensored, with one word corrected, one punctuation mark removed, font changed, and, oh yes, a hyperlink added. Otherwise, RAW. I think that I’ve picked up on something that no one, anywhere, has noticed.

Also, I’m seriously thinking about posting something mean-spirited about Ronald Dore. What do you think?



The best way to kill off One Piece (which I never liked BTW) would be to have the MEXT political team do a public announcement endorsing it. (On the other hand, PM Noda is a dead ringer for Komawari-kun, if they ever get around to doing a live-action version...)

Speaking of popular culture, look at the following list of AKB 48 members who have finished in the top 10 in voting, with their top finishes.

O Ohshima Yuko 大島優子 1
O Maeda Atsuko 前田敦子 1
O Shinoda Mariko 篠田麻里子 3
O Itano Tomomi 板野友美 4
C Watanabe Mayu 渡辺麻夕 4
C Takahashi Minami 高橋みなみ 5
C Kojima Haruna 小嶋陽菜 6
C Satoh Amina 佐藤亜美菜 8
VO Miyazawa Sae 宮澤佐江 9
O Kasai Tomomi 河西智美 10

"O" as in old-fashioned, "C" as in contemporary, "VO" as in...very old. Old-fashioned means that they would have been the kind of names that were predominant as I was growing up. Let me also note that "Tomomi" is gender-free (岩倉具視, haha), although most three-syllable "-mi" names are more likely to be conferred on females. Contemporary means the kind of names that girls in their teens and twenties typically have. Very old means Meiji-, Taisho-old. As further proof of how name preferences have changed, there is only one other "-ko" in the whole bunch. (To be fair, her top finish so far has been 38. Next AKB member to bare all?) In fact, beyond these nine most popular members, contemporary names predominate the list. Is this all just coincidence? I think not.

Finally, as an example of: Japan Cool (not Cool Japan) influence .

Personally, I miss the old version . I must be growing old.

Have a nice weekend.

Sunday, August 09, 2009

Sunday Funnies: I Am Not a Feminist , But…

Anecdotes and selective data to reinforce the prevailing conventional wisdom…it’s what I’ve always railed against when I see it in the mass media. Here’s Kate Harding writing in a similar vein in Salon, on an AP report that claims to have identified “a disturbing trend: Women in the U.S. are drinking more, and drunken-driving arrests among women are rising rapidly while falling among men.” The second part cannot be denied; the first part is… I’d say the jury is out—which is actually Harding’s point.

Which somehow brings me to this NYT report on the new, hybrid jury-judge panel system that has been brought in for criminal trials here. I have a problem with this:
”…opinion polls have shown the Japanese public to be highly skeptical of the jury system, primarily because of deep cultural aversions, including a reluctance to express opinions in public, to argue with colleagues and to question authority.”
Now I know the first part is true, and I’m ready to go along to some extent with the thrust of the assertions in the second part. But are the two, in fact, linked? It sounds vaguely plausible. But do the opinion polls show the linkage? I’d like to see how they do that, because I don’t see a line of questions that tease it out.

Going back to feminism, the same friend who sent me the last article also has been passing around another NYT report, this one about the growing social acceptability of “lavishing adoring (albeit nonsexual) attention on men for a hefty fee” as an occupation for young women. The report goes on to claim:
“[W]ith that line of work, called hostessing, among the most lucrative jobs available to women and with the country neck-deep in a recession, hostess positions are increasingly coveted, and hostesses themselves are gaining respectability and even acclaim. Japan’s worst recession since World War II is changing mores.
Members of the middle-class resorting to the overt use of their sexuality to earn a living in these hard times is not a uniquely Japanese phenomenon, as this Salon report shows, nor is it absolutely gender-specific, as least in the world of TV dramas. But are the increased “respectability” and “acclaim” linked to the current recession? They appears to have far more to do with the more gradual, more enduring emergence of everyman—and woman—as a media force. Some of this new breed of celebrities—such as the tetujinchefs—have seen their fame last much longer than their allotment of 15 minutes. From this perspective, Eri Momoka, the “single mother who became a hostess and worked her way out of penury to start a TV career and her own line of clothing and accessories” is merely the water trade’s variation of the dokusha models, the amateurs who have taken over some of the traditional trendsetting role of entertainers and professional supermodels.

And speaking of the water trade, the report does not explore the world of the celebrity hostess’s cultural ancestors, the geisha, and even the high-class prostitute oiran, European courtesans, and the Classic Greek hetaeras, professionals whose cultural, social and even political influence has been obscured by the multiple filters of Victorian and contemporary sensibilities. Then there are the economics. Do the $100,000 hostesses receive healthcare benefits? Not likely. Pension plans? And who pays for their clothes? Like the geisha, these things add up. And like the professional athlete or the futures trader, old hostesses tend to fade away. Which is where the sugar daddy—again as in the case of the geisha—comes in.

Not that NYT is obliged to explore these avenues. But the stories are there for those who are willing to make the effort. For those who aren’t, there’s always the Case of the Earwax-Cleaning Murder to turn to.

Wednesday, April 09, 2008

Would You Believe I’ve Actually Read…

… one of these? In the original hardcopy version? Ah, memories.

I took a look at this, too. The Katsuhiro Ōtomo influence is evident, almost pre-Akira at that. There are several manga-ka, the creators, who have changed the genre in their own ways, more often than not through both their artwork and narratives. That’s something you don’t really see in American comics.

The multitalented Mr. Ōtomo is one of those double threats.

When Does History Become History? And for Whom?

Watch this. Obviously, you can’t do this joke with the war in Iraq. But the Korean War?

For Daily Show viewers, it evidently works, but for Fox News viewers, surely not.

Friday, November 02, 2007

You Drink Our Calpis and We'll Eat Your McWrap

The Golden Arch launched McWrap today. For some reason, the page is entitled: WrapSLYME

The gaijin cachet that transforms hopeless dork into irresistible hunk has been chronicled here by The Asian Exile. But this phenomenon is not limited to men. It extends to all sorts of consumer products and services, not the least of which is the fast food industry.

Take Krispy Kreme: Now as doughnuts go, I think that KK is fine. In fact, I thought it was much better than Dunkin' Donuts, or even (I am ashamed to admit) most of the donuts sold at New York delis. Not only did they come warm to the touch, but managed to maintain their chewiness longer than their scientifically less sophisticated competitors.

But donuts is donuts, and it never fails to amaze me when, almost a year after it opened, I walk past the Shinjuku Krispy Kreme and rain or shine; weekdays, weekends; morning, noon, or night; always I see that one-hour-plus waiting line folding over itself again and again like a small intestine until it spills over onto the JR Higashi Nihon overpass nearby.

And it's not just Krispy Kreme. Maybe it was just New York, but I remember inner city McDonalds, Burger Kings, and Wendys as down-scale, often depressing, once even alarming, places, and not the brightly-lit shops full of high school students, moms with kids, and salarymen in a hurry that we see in Japan.

So I guess my question is: can White Castle be far behind?



Of course it works the other way around as well. The basic Yoshinoya beef bowl debuted in New York at roughly twice the Japanese price (this was before the mad cow disease scare), and you had to get used to paying $10 and more for non-gourmet udon and ramen. And much of Japan cool is actually Japan kitsch.